2025
Grok 3. Artist in residence. 2025
Grok on Wharton's Night Owl
After an illuminating, extended back-and-forth dialogue with Grok Al about my artwork Night Owl and how it came about, I asked Grok to generate an image based on our
conversation and an image of Night Owl. The result was this stunning rendition that perfectly captures the emotional spirit of that night. I may sculpt the figure.
Wharton's Night Owl
Across various cultures, owls are often seen as messengers or guardians of the spiritual realm, sometimes associated with death or the afterlife. Their nocturnal nature and silent flight can evoke a sense of mystery or connection to the unseen, suggesting they guide souls or offer insight during times of loss.
Night Owl has always been more of a sleepwalk than an artwork. A fragment of unconscious expression, born out of grief in the early hours of that morning. A dream.
I've always been a very light sleeper. If you were to whisper in my ear as I slept, you would wake me.
It was around 2 a.m. when I was awakened by the hooting of an owl from a tree outside my bedroom window. I recall thinking we don't have owls this far from the woods. I looked through my window into the dark and saw nothing but leafless branches. I hadn't dreamt this, as I had heard the owl hooting as I approached the window. Then nothing. Nothing. So I went back to sleep with my loss.
Usually, whenever I dream about my mother, I am instantly awakened by the same thought: This must be a dream because you are dead. But on one pivotal occasion, I didn't. I was aware of it without thought.
It was as if my mother and aunt had come to tell me they were fine, I would be fine, and they were moving on. I wasn't told this. I hadn't thought this. I just felt it. And I was presented with the notion that this was to be shared for the sake of someone else. Then I awoke, sparked to create something.
So as most slept, I silently cobbled together Night Owl from unworked offcuts of wood, with provisions for this story to be shared .
There’s something of a vulnerability about it that still hits home.
If there is a Rosetta Stone as such to all this, it was my artwork, as it knew where I was when I didn't. Philip Wharton.
https://www.boxroom17.net/artworks/after-life/